August 2011





Cardigan: Cynthia Rowley | Camisole: Sonoma | Leggings: Lauren Conrad | Belt: Dorothy Perkins | Scarf: gifted | Jewelrey: White House Black Market | Flats: Michael Antonio | Sunglasses: Miu Miu


I thought I’d drop in a little outfit post before whirlwind travel plans take over tomorrow; I can’t believe I’ll be in New York for the IFB conference in one week! I’ll be sure to document my adventures at IFB and beyond on Twitter as well as taking lots of pictures for a follow-up blog post (or two or three). But back to the here and now: the outfit. We have a darling little fence gate in our back yard and I’ve wanted to take photos there for a while. You may remember when my sister posed in front of it in our Vintage from the Family Tree photo-taking spree. Unfortunately the sun casts so many shadows that it’s not the most practical place for focusing on an outfit, but it adds a wonderful touch of whimsy. These cheetah flats, snatched up from Beyond the Rack, are favorites of mine. They make a statement, yet they go with absolutely everything! I’ve been wearing sandals so constantly this summer that I’ve really forgotten about my little collection of flats, but they’re both transitional and great for traveling so I’m sure I’ll be living in them lately!


Here’s a closer look at my Cynthia Rowley cardigan, found at Marshalls earlier this year. I love the embellishments! After quite a few wears the stitching is still holding up perfectly, a testament to the durability of the piece. I could go on something of a rant about quality lately after a hat I got in the spring from Forever 21 fell to pieces before I even had the chance to wear it out. Substance doesn’t have to be astronomically priced; we can raise our standards for fashion while keeping on a budget, and I’m determined to do just that in the future. But I’ll save all of that for another post entirely.


Lastly, a better glance at my Miu Mius! These were a Marshalls find as well – I made a bit of a scene when I saw them, I’m sure. They’re so unlike any other pair I have, which was all the more reason to covet them. I tend to go for oversize frames as I think they suit my face better, but I decided to be adventurous for a change. And who knows, one pair of adventurous sunglasses might embolden this cautious gal on a sunny day!

{ 21 comments }





On a recent trip to Ulta a visiting make-up artist gave me a demonstration of the China Doll Gel Eyeliner by Napoleon Perdis. I wear eyeliner daily, yet I had never really tried the gel- or cream-based products that are on trend. Before I get to talking about this particular eyeliner I thought I’d delve a bit into the topic of gel eyeliner as a whole and how it differs from the standard pencil and liquid liners.

Gel eyeliner: the pros and cons

  • A little goes a long way.
    It’s very important to remember that, not only to make the application process easier, but also to make the product last longer. When you look into gel eyeliners from prestige brands they can get expensive so using too much just becomes a waste of money. They also come in very small packaging which can easily make the prices seem all the more unreasonable.

  • Application could (possibly) be time-consuming.
    Once you get a good handle on how to apply it the gel eyeliners can be done relatively quickly. It still becomes the more tedious part of my make-up process, however, and on days when I want a quick (or, as quick as my make-up gets) look I find myself grabbing a different eyeliner alternative instead.

  • The strongest pigment, plus versatility.
    Gel eyeliners – the good ones – have striking color and dramatic effect. Both a smudge-proof line and a smokey eye can be achieved, and they seem to be popular for their staying power. Quite frankly, the technology behind them seems much more advanced than other types of liners.

Gel vs. pencil vs. liquid

Go for gel if you want…

  • Drama
  • Versatility
  • Long wear
  • (But be willing to take the time for it.)

Go for pencil if you want…

  • A natural look
  • Fast and easy application
  • Simplicity
  • (Dramatic looks will be limited, however.)

Go for liquid if you want…

  • Precision
  • Flexible application
  • Definition
  • (Though you’ll likely have the least versatility.)

How Napoleon Perdis stands up
My go-to has lately been Urban Decay‘s eye pencils because I find the consistency easy to work with (I would call it something of a cream-based pencil, which is how it gets its name: Glide-On). This gel turned out to be a wonderful alternative, though, and I find it has a bit more staying power than Urban Decay’s pencil. I always thought Urban Decay had a strong pigment, too, but next to the Napoleon Perdis gel there’s really no contest. Being that it’s one of the very few gel eyeliners I’ve tried I can’t attest to its worth in the market, but I can say that I’m officially a fan. I find it so easy (though not the fastest) to apply, it dries quickly, and once it does dry it really doesn’t go anywhere. I’ve heard accounts of flaking from gel eyeliners, though I’ve not yet had that problem with China Doll. It’s all-around a great product!

And, lastly…a demo!
Here comes the scary part. As I contemplated centering a post around the gel liner I knew the most effective way to relay its consistency would be to give a demonstration of my own. This is my very first attempt at a make-up “vlog” so please pardon the ums, that awkward moment when I forget which word I wanted to use, and the inevitable deer-in-the-headlights face. Otherwise…enjoy!

Beauty Demo: Napoleon Perdis Gel Eyeliner from Casee Marie on Vimeo.

If you’ve tried gel eyeliners in the past I’d love to know about your experience!

{ 45 comments }


“Cary – such a lovely souvenir in my life. Unlike some people might think, he was really a very reserved, very sensitive, very quiet person, very philosophical, rather mystic in some ways. And had enormous empathy for other people. He had me down flat the minute he met me.”
- Audrey Hepburn

Back in April I wrote about some of my personal inspirations and Vahni made an astute observation (she does that a lot): they were all ladies. Quite so, there were a lot of dresses and there was overall a notable sense of refinement in the women I cited. Coincidentally, I didn’t include one of my greatest style icons, who just so happens to be a man, and who is perhaps the definition of refinement. Not just a man, but a gentleman; and not just a gentleman, but the gentleman: Cary Grant. Considering that today he’s being honored by Turner Classic Movies as part of their annual Summer Under the Stars I thought it was an appropriate time to pay a little tribute to the many ways Cary inspires both my life and style. When I think of Cary I think of impeccable style, quiet charm and a little air of mystery. His image is alike to a smokey jazz song: comfortable, calm, self-confident and immaculately executed.

He was dapper, he was polished, he was sophisticated…and he was a little bit fictional. Archie Leach (if you don’t know, that was Cary’s given name) created the façade that became iconic and in creating it he became it. At least, that’s how he told the story. But I think what Cary didn’t realize was that he had that special something, the social graces and debonair charm that was the root of the iconic image. Those qualities translated through his personal style, through the sharp elegance of his suits and the gentle precision that went into every detail. He was a quality gentleman and the Cary Grant he conjured up was born of his own genuine refinement. I think that’s a perfect example of how we can set standards for ourselves – of both a personal and fashionable nature – and create an ideal of ourselves to grow into without conforming to the opinions of others. We just have to look inwardly, at our strengths and shortcomings, and find the version of ourselves that we relate to most intimately.

As an actor I’ve always thought him marvelous; he made me laugh outright in films like The Philadelphia Story and The Awful Truth, and his performance in Penny Serenade actually moved me to tears. As if that’s not enough, he was the quintessential Hitchcock leading man, at once the romantic hero and the shifty source of intrigue. The quiet, all-encompassing mysteriousness of his onscreen personas throughout his twenty-year, four-film collaboration with Hitchcock is timeless and I think it was with those films that the imagined Cary Grant came into full being. There was a worldly way about that Cary Grant and just enough distance between himself and the rest of the world to make everyone curious.

I’m sure people would say that’s what has launched Cary into his immortal place as an icon, the intangible essence of what made him what he was. But something else that fascinates me about Cary Grant is the way he was simultaneously elusive and friendly. I’ll always remember reading about Audrey Hepburn’s first meeting with him at a restaurant before filming for Charade began, their first and only film together. Audrey was nervous and told him so. He responded, “Don’t be…I’m thrilled to know you. Here, sit down…Put your hands on the table, palms up, put your head down and take a few deep breaths.” When Audrey put her head down she spilled a bottle of wine all over Cary’s cream suit. She was mortified, of course, and Audrey later recalled that he “nonchalantly removed his jacket and pretended, very convincingly, that the stain would simply go away.” The next day he sent her caviar and a note telling her not to feel bad, as she had apologized profusely since the incident. She also said that Cary gave her a simple piece of advice during their time together, and by sharing it with her I think he was sharing it with the world: she said, “He laid his hand on my two hands and said, ‘You’ve got to learn to like yourself a little more.’ I’ve often thought about that.”

You can catch Cary’s films all day today on Turner Classic Movies. Perhaps it’s the perfect time to acquaint yourself with him if this post intrigued you!

{ 26 comments }