curves and color: a body image revolution

Visiting my sister almost always leads to gratuitous shopping excursions, and I surprised myself by acquiring some pretty explosive colors and prints over the last two weeks. I saw the bit from Matt Lauer’s interview with Adele the other day in which she talks about her dedication to an all-black wardrobe and how she was able to go unnoticed through Trafalgar Square one day just for wearing bold colors. I realized we’re a lot alike in that respect; I’m a consistent wearer of black and, as I mentioned in my last outfit post, a reluctant pursuer of color. I think it’s for a lot of reasons that I wear predominantly black, but I’m sure deep in my subconscious the paramount reason remains that I’m not a thin girl and black is notoriously the full-figured woman’s shield from judgment. But a funny thing happened when I wore one of my newly acquired, riotously-colorful pieces: I was noticed. Two women in the space of an hour commented on my look; one of them even went out of her way to approach me from across the store. I was shocked. I had worn my hair up (frustrated with the sheer mass of it, I confess I hadn’t even run a brush through it) and I was insecure about my face, fuller at the moment than I can ever remember, being on full display. I’ve been in a body-image-induced funk for a while, and these two women gave my perspective a much-needed shake. Both women were full-figured as well, and after some consideration I realized that maybe my proportions were part of the reason why they felt struck by my look. Maybe they appreciated seeing someone of a size and shape they could relate to wearing something bold.

curves and color: a body image revolution
The dress that launched a body image revolution.

I think it’s true for all of us that we spend too much time focusing on the wants – the way we want to look, the waist we want to have – that we forget to be self-accepting, and more than anything we forget that we’re not alone. I spent my teenage years trying to “hide” my weight; even though I think I was fairly average-sized it translated that I needed to look differently. I was imperfect, and that wasn’t okay. And I realized that it wasn’t me saying this; it was the world around me, society and the media perpetuating it into my day-to-day until it became a natural thought process. I think over time I’ve caught on to the scheme and have been diligent about no longer subscribing to the idea that all women should look a specific way, but once in a while that negativity seeps in – it’s hard to get away from it in this world, it’s the ultimate marketing tool after all – and I have to catch myself, to remind myself of where I really stand. But in all my years of wrestling with body image affirmation there’s a visual that never wavered: me, a girl of size, standing alone while the media’s ideal types stared at me, judging me for not being just like them. I never really took notice of the fact that in all of my insecurity solitude was a constant. In my mind I was the only too-full-figured, too-busty girl in the world. When you wake up and realize that there are other women in the same proverbial body-type boat, something just clicks in your brain and you realize, “Why am I fighting to fit one ideal when there’s an entire world around me?” After I was approached by the two women there was a shift of sorts and the visual in my mind changed – when I was talking about the situation with a friend who said that, yes, maybe those women admired me in that moment, I saw myself not as an imperfect outsider, but suddenly as a sort of ambassador for curves and color, with a legion of other uniquely-shaped and variously-sized women around me. I realized that for all of us, somewhere in the world there’s a person we can inspire just by being ourselves as we are in this moment. That’s incentive as I’ve never known it before. And I love it.

curves and color: a body image revolution
DRESS: RONNI NICOLE via JC PENNEY | SWEATER: CK CALVIN KLEIN | NECKLACE: GIFTED | EARRINGS: KOHL’S
BRACELET’S: CHARM & CHAIN, KOHL’S and KENNETH JAY LANE | RINGS: MEGHAN LA and GIFTED

And this, in all its bold color and bolder patterning, was the First Official Annual Caseepalooza Dress. It’s by Ronni Nicole, and when I found it for under $50 from JC Penney, amidst the sea of pretty that is their dress department, the transition of the colors, the richness of it all, just sold me. Thanks to everyone who extended birthday wishes to me on Saturday – from the tweets to the e-mails and the Facebook posts, your kind words made my day all the more special!

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CAPRIS: ELLE via KOHL’S | TOP: CLOUD LINE via MARSHALLS | SCARF: ASHLEY COOPER
SHOES: B. MAKOWSKY via MARSHALLS | CLUTCH: JASON WU FOR TARGET | EARRINGS: FRANCESCA’S

Whaddya know, I’ve gone and tried that whole colorblocking thing…a year after it was popular. But that’s me: sometimes there are hot seasonal fashion trends that I just don’t care about. I follow them all, as any fashion blogger (or fashion enthusiast) is apt to do, but when it comes to implementing them into my wardrobe I’m not so quick. Color, for me, holds a certain degree of rarity, or if I wear it I focus on one. Not multiple. I think I was raised on the merit of all things matchy-matchy so pairing one color with anything but the exact same shade has been a real nail-biter of a task for me. Not to mention the fact that I simply don’t own a lot of colors. In fact, part of the reason it took me this long to get my colors to blocking was because I didn’t actually have a bottom piece to work with. Whether pants or skirt, if it isn’t black, brown or grey it isn’t in my closet. Despite that, I was keen on the colored denim trend (forgetting the fact that it’s probably been years since I’ve worn denim with any regularity at all) and I’m a sucker for royal blue. Despite what a popular shade it is, it took me ages of looking before I tracked down this pair from Kohl’s. And as a traditionally unenthusiastic denim-wearer I can tell you they’re a lovely buy – great stretch, great fit, and great color options. Unfortunately they’re not available on the site near as I can tell, but check them out in store, most definitely.

So there you have my take on colorblocking – I’m glad I could easily add a fourth color with the lipstick; I considered some fun eyeshadow as well, but I figured I was getting carried away. Gee, give me an inch and I’ll go a mile, huh?

P.S. My scarf was plucked rather quickly from my suitcase which explains – though doesn’t excuse – the wrinkles. Nothing like that fashion-blogger-who-just-jumped-out-of-a-hamper look!

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Diane Kruger and Jason Wu at last year’s Met Gala, image via JustJared

Every year the Metropolitan Museum of Art hosts their annual Costume Institute Benefit where fashion’s greatest names walk what I consider to be the ultimate red carpet. Usually those of us who can only be Met Gala enthusiasts from home are left in wait on Twitter or refreshing the celebrity and fashion gossip blogs for a gilmpse at the red carpet, but this year the Met, Amazon and Condé Nast are joining forces to give us a front row seat. As the ultra-glam make their way down the red carpet the cameras will be rolling and we at home will be able to watch all the fabulous fashion and interviews on livestream! I’m so excited for this; I’ve always considered the Met Gala to be the real deal when it comes to the red carpet. Fashion takes full focus and art, adventure and unstoppable glamour reign supreme. I also love that we get to see the designers themselves taking the red carpet spotlight. Vogue editor-in-chief Anna Wintour will even make an appearance! (I’ve also heard Gaspard Ulliel will be in attendance, at which sighting I’ll be flailing my arms at my computer screen in complete euphoria.)


(L) Elsa Schiaparelli by George Hoyningen-Huené, 1932
Courtesy of Hoyningen-Huené/Vogue ©Condé Nast
(R) Miuccia Prada by Guido Harai, 1999
Courtesy of Guido Harai/Contrasto/Redux

The focus of the evening’s celebration is Schiaparelli and Prada: Impossible Conversations, an imaginative and highly inventive seven-gallery exhibit featuring over one hundred pieces from the houses of Schiaparelli and Prada, ranging from the 1920s to present. The exhibit spotlights designing women Elsa Schiaparelli and Miuccia Prada, introducing fashion’s past and present in an entirely new way. Here’s a bit more about it, from The Metropolitan Museum of Art:

Schiaparelli and Prada: Impossible Conversations, explores the striking affinities between Elsa Schiaparelli and Miuccia Prada, two Italian designers from different eras. Inspired by Miguel Covarrubias’s “Impossible Interviews” for Vanity Fair in the 1930s, the exhibition features orchestrated conversations between these iconic women to suggest new readings of their most innovative work. Iconic ensembles will be presented with videos of simulated conversations between Schiaparelli and Prada directed by Baz Luhrmann, focusing on how both women explore similar themes in their work through very different approaches.

You can catch the livestream on Vogue, Amazon or MetMuseum.org tonight at 6:30pm EST. You can also chime in on Facebook or Tweet @metmuseum with the hashtag #MetQuestions. Then come back here and tell me what your favorite looks were!

 

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